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Stern's “Americans of Jewish Descent,” that it was “put together - not exactly written.”Īmong the better known Robesons, Carvers and Dunbars, there are several minor worthies who are brought into sharper relief. Here we are in the midst of pure biography, pioneering, but of the sort that prompted Stephen Birmingham to remark of Malcolm H. And though the evidence for Goethe, Cezanne, Beethoven and Gauguin is not categorical, it is sufficiently persuasive to cry for further investigation.īut in “World's Great Men of Color,” which Rogers erected for the edification of “Negro” biography, the “Great Undiscussable” of racial intermingling yields place to less controversial material. Perry, a comfortably clinching document in his own hand of the great Russian love bard, Pushkin, “Unlike Browning or Dumas, Pushkin took his Negro ancestry very seriously” and of Warren Gamaliel Harding, “Warren and his brother and sisters were reared and treated as colored people.” The list could be prolonged almost indefinitely. In perhaps his most controversial work, “Sex and Race” (1941), Rogers peoples three volumes with an immense gallery of portraiture, and presents a wealth of fascinating detail that lends color to his contentions: from Larnac, the biographer of Colette, “tenant de son grandpère un peu de sang colore” from Commodore Oliver H. Other men of color found their niche as clerks, entertainers or whatever, as their “blood” found its way into the European mainstream. Many of these “favorites” attained wealth and distinction in the professions and high society, attending the best schools, and entering the better‐connected families. ‘A favorite black boy to keep and dress’ A London book of 1680 says of ‘the Town Miss’: “She hath always two necessary implements about her a Blackamoor and a little dog.” not above fifteen or sixteen years of age.
Nature knows no color line j. a. rogers pdf full#
We read advertisements as the following: Wanted Immediately a Negro boy must be of full black complexion. There was always a market for little black boys, who dressed In Oriental trousers and turban and girt with a scimitar were frequent attendants on ladies of fashion carrying a cup of chocolate or bearing a prayer book. Yet the “Negro” youthful servant or page comes top of the list, and if you have ever puzzled at his presence in the works of Hogarth or Rowlandson, Rogers's “Nature Knows No Color‐line” (1952) provides the following explanation: “ coal‐black youths as pages and favorites were in great demand, They became a fashion.
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Bottom row: Harding, Browning, Luba Ancestor figure, Aesop. to r.: Dumas pare, Pushkin, Commodore Perry. Hence, though the female slave and concubine, the mistress and the courtesan, provide a ready source of scrutiny the liaison, the male expatriate and that most fecund creature of them all, the American G.L, provide further examples. His technique was not unlike that of Stephen Birmingham, who in his masterly account of the Sephardim (“The Grandees”), unmasked the “Jewish” ancestry of many American families of social prominence.īirmingham was able to attain his startling conclusions by adhering to one essential premise, “Jewishness descends from the distaff side of the union.” Rogers establishes the rules of the exercise somewhat differently while seeking to hold gossip and speculation in their place, he promised to avoid discussing persons of less than one–eighth “Negro blood.” He holds the advantage over Birmingham in that he allows himself recourse to both the male and female side. Darlington performed for the bastard in his “The Evolution of Man and Society” - he established his legitimacy. As he gave the foil to “Negro” inferiority, Rogers achieved for the man of color what C. Rogers used this illogicality -turning a concept he did not relish, but which was forced upon him-to striking advantage. “As to who is a Negro in the United States,” said Rogers, “only those who are able to throw all logic, all reasoning to the winds, can ever hope to be authorities on that matter.” One such authority was the Bureau of the Census, which in its famous dictum declared that a “Negro” was someone with “one blood.” For over half a century, in nearly every continent, he remained in relentless pursuit of the “Negro” and the “Negroid” - that perennial pigment of the “white” man's imagination and creation of his own convenience. One result of his research was “World's Great Men of Color” (published by the author in 1947), which is a classic of its genre. Rogers set out not so much to probe beneath men's skin, but to uncover the touch of Africanity hidden in every genealogical woodpile. Alexander Dumas pare once remarked, “When I discovered that I was black I determined to so act that men should see beneath my skin.” The late anthropologist and historian Joel A.